: Beyoncé and her dancers perform in front of Jacques-Louis David's massive painting, using the synchrony of Black bodies to "upstage" symbols of white monarchy.
The video is an "embodied disruption" that challenges the Western-centric narrative of art history. Key artistic references include: THE CARTERS - APESHIT
: Beyond the art, the song contains sharp commentary on contemporary issues, such as JAY-Z's lyrics about turning down the Super Bowl halftime show and criticism of the Recording Academy. : Beyoncé and her dancers perform in front
"APESHIT" by (Beyoncé and JAY-Z) is widely considered a groundbreaking cultural piece, specifically for its stunning music video filmed inside the Louvre Museum in Paris. Released in June 2018 as part of their surprise joint album Everything Is Love , the track is a high-energy trap anthem that explores themes of Black excellence, institutional power, and the reclamation of art history . Symbolism and Art History "APESHIT" by (Beyoncé and JAY-Z) is widely considered