The Terrorizers(1986) – Bonus Inside

The title does not refer to political terrorism but to the "quiet, insidious ways people wound one another" through lies, neglect, and miscommunication.

Similar to the works of Michelangelo Antonioni, Yang uses the concrete landscape of Taipei to reflect the emotional detachment and "mental prisons" of his characters. The Terrorizers(1986)

The film avoids a traditional linear plot, instead following three groups whose lives eventually intersect: The title does not refer to political terrorism